Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Domenicho Ghirlandaio
Thronende Madonna mit den Heiligen Donysius Areopgita,Domenicus,Papst Clemens und Thomas von Aquin

ID: 29477

Domenicho Ghirlandaio Thronende Madonna mit den Heiligen Donysius Areopgita,Domenicus,Papst Clemens und Thomas von Aquin
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Domenicho Ghirlandaio Thronende Madonna mit den Heiligen Donysius Areopgita,Domenicus,Papst Clemens und Thomas von Aquin


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Domenicho Ghirlandaio

Renaissance Artists , 1449-94  Related Paintings of Domenicho Ghirlandaio :. | Totenfeier fur den Hl.Franziskus | Francesco Sassetti | Anbetung des Kindes | Maria Novella,Blick zur Chorkapelle,Familienkapelle der Tornabuoni | Abendmahl |
Related Artists:
Carl Ludwig Christinec
1732/3 - 1792/94
Bicci Di Neri
(1419-1491) was an Italian painter of the Renaissance. A prolific painter of mainly religious themes, he was active mainly in Florence and in the medium of tempera. His father was Bicci di Lorenzo. His grandfather, Lorenzo di Bicci was also a painter in Florence, a pupil of Spinello Aretino. Neri di Bicci's main works include a St. John Gualbert Enthroned, with Ten Saints for the church of Santa Trinita, an Annunciation (1464) in the Florentine Academy, two altarpieces in the Diocesan Museum of San Miniato, a Madonna with Child Enthroned in the Pinacoteca Nazionale of Siena, and a Coronation of the Virgin (1472) in the abbey church at San Pietro a Ruoti (Bucine. He also painter numerous works in the area of Volterra. His journals from the years 1453-1475, including the rates of remuneration for his work, are still preserved in the library of the Uffizi Gallery. They are known as Ricordanze.
William Etty
1787-1849 English William Etty Location English painter. Born into a Methodist family, he was the seventh child of a miller and baker in Feasegate, York, and in 1798 he was apprenticed as a printer to Robert Peck, publisher of the Hull Packet. Financial support from his uncle, a banker, allowed him to go to London in 1805, where he entered the Royal Academy Schools in 1806. For a year, in 1807-8, he was a pupil of Thomas Lawrence, who greatly influenced him. Following the death of his uncle in 1809 he became financially secure. From 1811 he exhibited regularly at the Royal Academy and the British Institution and in 1816 worked in the studio of Jean-Baptiste Regnault in Paris.






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